MADE IN CHINA

README
NUTSHELL
A single sculpture distributed across objects, images, and networks—examining identity and myth within a magic realist framework.
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
HASHHAG/ZHOUKE/#/
[ SYSTEM PROMPT ]

OPEN SOURCE
notice:

Zhou Ke is released under CC0. No permission required, no ownership asserted. She may be copied, altered, redistributed, or recontextualized without restriction.
WITNESS
// VIDEO
// GITHUB
A contemporary condition increasingly shaped by networks, synthetic identities, algorithmic systems, surveillance, and unstable forms of authorship is approached here not as a theme to depict, but as the very material from which the work is constructed.

Identity, mythology, technology, censorship, and distributed agency unfold across objects, images, systems, and social infrastructures, forming a sculptural field that resists reduction to a single object or fixed meaning.

Beneath this lies an inquiry into enduring questions of authorship, and how cultural reality itself is formed, negotiated, and made visible within an age of technological mediation.